Saturday, April 18, 2015

Writing Prompts For The Modern Age

As a writer, I haven't used writing prompts because I can (so far) pull stories out of my ass , er, memory banks/imagination. I do read writing prompts once in a while just to check in—it's important to stay up on the latest writing-prompt trends. There will probably come a time in the near future where they'll help me out when I run out of story ideas.

Most writing prompts don't "speak" to me and my oddball brain, so I thought I'd try to come up with a few. Are you experiencing writer's block? I don't mean the daily "better get back to writing" kind where you vacuum the living room and start a wash load before finally sitting down (or standing, if you're Ernest Hemingway) to write. I mean that long-term, ten-years-or-more kind of blockage where you actually forgot you were a writer once and then, finding your old journals, realize they're full of half-finished stories that you gave up on to go work in a law-firm to hopefully pay the rent and eat and break even at the end of the month. Not that I know anything about that, mind you...

I hope this helps.

1.) Write a story based on this performance of Frankenstein by the Edgar Winter Group. Be sure to include all of Edgar's solos as story-arc points. Extra credit: create a character based on the saxophone solo and a character based on the drum solo—what is their conflict?





2.) Write a story based on all eight illustrations from a British language primer that I found in a thrift store years ago. Include the word, "dipsy-doodle." Bonus points if you write in a British accent.




3.) Write a political thriller based on Carlo Collodi's "Pinocchio." Will your protagonist ever become a real boy or girl? What happens when he or she lies? Who is the secret kingpin running Donkey Island? Is the giant fish merely a giant fish, or does it signify something even more massive—corporate interests in an unregulated capitalist system, perhaps? YOU DECIDE.




4.) Write a story based on "No. 43," the anonymous person who inspected your underwear in a garment factory overseas. Do your research. What is No. 43's motivation? Is your underwear part of the solution or part of the problem? Do you feel guilt or pride knowing No. 43's expert inspection has touched you in some way?



5.) Write a story that takes place entirely within the confines of the New York City subway system. You can use a different subway system if that's what you know. Mexico City Metro is sadly under-represented in the subway stories pantheon, so keep that in mind.



6.) Blindly reach into your medicine cabinet and grope around until you grab five items. Line them up on the nearest level surface. Write about them.



7.)  Write about a morning DJ who hates mornings, hates her sidekick laughing-man partner, hates the city she works in, and the station's music programmer who insists his staff play "Dust in the Wind" at least five times a week, as well as multiple Steve Miller Band hits. The name of the radio show: Suzy and Jimbo's Good Morning Radio Sunshine Power Hour.



8.) Call your mother or other significant guardian representative and tell her you love her. She'll tell you a story.

Monday, April 06, 2015

The 6ths - San Diego Zoo, featuring Barbara Manning - video

In honor of a forthcoming trip to San Diego, here's a little video treatment for this lovely 1995 song by Stephin Merritt for his offshoot band, The 6ths. Barbara Manning brings her beautiful vocal clarity to the mix.




From the album, "Wasp's Nest." Footage is from A/V Geeks and the Prelinger Archives.

Friday, April 03, 2015

Movies You May Have Missed - Bomb It (2007)

I waited a long time to watch  Bomb It, Jon Reiss' graffiti documentary. I imagined a sort of macho, clandestine, adrenaline-junkie-filled couple of hours. That is explored here, in compassionate detail in the New York City portion from the 1970s and 80s, but the scope of Reiss's documentary is much broader and edifying. This is an art history class covering street-art—a meditation on graffiti, the battle to eradicate graffiti, and why graffiti may out-live us all.

I secretly harbor feelings of street-punk activism, imagining myself spraying stencils and slapping up stickers (the quickie methods) to protest rampant over-development, strip-mall sprawl, and billboard advertisements that pollute more than any tag ever could, I hold myself in check. Mostly because I'm too scared and lazy to run through the streets, spray can in hand. I've also been on the other side of the matter, diligently painting over multiplying scrawl-tags on my house and neighbors' houses (tags will spread like tribbles on the Starship Enterprise if you ignore them). In this manner, I kept the residential vandalism in check but no matter what we do or how we feel about it, graffiti isn't going to stop any time soon. Those are two sides of the issue. After you see Bomb It, you'll never think about graffiti in simple terms again.

Paintings on walls—an ongoing theme.

Chauvet cave paintings in France from approximately 35,000 years ago

And now:



We begin in Philadelphia, where legend has it, modern day graffiti as an obsessive and known quantity began. Meet Darryl McCray, aka "Cornbread," prolific tagger and ex-reform-school kid, who once was arrested for tagging the side of an elephant at the city zoo. As cruel as it was, from a graffiti standpoint, that's some bragging rights right there. Cornbread wasn't affiliated with any street gangs—his tags were his own.

Cornbread "King of the Walls," in Philadelphia, 1967

When I think of graffiti, I immediately recall visiting New York city several times in the mid-80s and and marveling at the subways. Summer time and you'd be waiting in a station in hundred-degree heat, feeling like a baked potato in a brick oven, when VOOM, along comes your train and it's just COVERED in art. Dazzling, vibrant, completely unexpected art. You never knew what you'd get. Maybe a plain train--pristine, silverish-gray, utilitarian but dull, or a tremendous day-glo dragon, staring you down as you entered its interior. It was completely up for grabs and it was often marvelous.



Lady Pink apologizes to her mom for painting on the subway




Interviews with now-middle-aged artists of the time reveal most were from the outer boroughs, poor, without playgrounds, yards or greenery, not a lot of career prospects in the neighborhood, who sought to express themselves among a crumbling infrastructure.



The Bronx in a bankrupt city.



Youthful taggers show their stuff.



Wild style lettering, created at this time, is likened to jazz improvisation.


Lady Pink, first lady of graffiti art, is one of several pioneering artists interviewed


As New York City cleans itself up (several interviews come from the side of "The Man," without judgment—a sign of high-quality documentation), graffiti artists have literally gone underground.

Revs writes his stories in the tunnels below New York City

The point is made—a valid one—that unchecked self-expression leads to an impression of systematic neglect on our city streets. It's interesting to note that systematic neglect inspired many street artists in the first place.

I personally find this uninviting but I do miss the art cars of the 80s

So that's my go-to think-place for graffiti—New York City of the 80s, but there's an entire world of street art to explore and Bomb It sets out to do so. As with any art form, culture, architecture, history and current state-of-affairs all contribute to the movement.

Over in France, there's Blek le Rat, who as a young man, strove to cover all of Paris with rat stencils. I feature a lot of Blek here because if you wanted to contrast different attitudes and backgrounds regarding city graffiti at their most extreme, you couldn't do a better job than New York City of the late 20th century and middle-aged Blek in France today. He doesn't just paint walls, he philosophizes over them as well.









Blek could not be more French in concept or tone. In case you missed his artful stance, he ties in stenciling to the dawn of self-expression.






I conclude by saying: Blek—c'est magnifique! But there's more to France than lyrical musings. There's income disparity, homelessness and racism. All are addressed here from a graffiti standpoint.

We get more fascinating musings on guerrilla artwork in Amsterdam, Berlin, London, Barcelona, São Paulo, Capetown and Tokyo. People who run around in the middle of the night spraying public areas with paint are definitely an interesting, often quite thoughtful group. Reiss had to hone down hundreds of hours of footage, shot by his amazing cinematographer, Tracy Wares, for a feature film. The result is so rich, you can return to it over and over and gain new knowledge—it's crammed full of insight. It takes multiple viewings to absorb it, digest it, live with it.

Surprisingly, more than one artist points out that defacing homes, schools and churches is not cool. Another forgives tagging because, (I paraphrase) "It's how the kids start out, before learning new skills." There's a well-rounded humanitarian concept to the enterprise.

Here's Mickey in Amsterdam. She's an elementary-school teacher who's come out as an underground painter with years of experience.



How protective are you about this particular wall in Berlin? Do you think a respectful "hands-off" anti-graffiti stance was warranted here? After all, it is a government wall.





 A quick reference to Banksy in London illustrates the culture of surveillance we live under.



South Africa has a history of political graffiti and instant imprisonment without legal representation or trial if a painter was caught. Again, we ponder, is graffiti outright vandalism under tyrannical rule?



In Capetown, the residents of this township didn't have the means to buy paint, so the artists came to them.



In Barcelona, a discussion among neighbors covers both sides of residential graffiti. One dismisses it entirely. The other says it beautifies the neighborhood. Figurative art is heavily featured.






São Paulo is a thoroughly fascinating world of art among the decay. Where police are so busy dealing with serious issues, they let graffiti artists paint with impunity (at this filming). Where graffiti is a visceral response to impending dystopia that unfolds before our eyes, from the tops of buildings, to the sewage tunnels beneath the surface. Several novels could be written based on the Brazilian footage alone.







The gallery co-opting, of graffiti is touched upon just enough to show how iffy a prospect it is to display street art in a museum setting. Eyed by patrons instead of the general public, street art loses its power to startle and comment on modern life. It becomes an object for sale, losing its original intention. Merchandising has a long tradition too. If artists can turn their art into a living, I say: GOOD, keep going.

Jon Reiss is a man of action. There's already Bomb It 2, covering more of the world of graffiti. I won't wait so long to see it.

Thursday, March 19, 2015

She Mob - "Tear Me Down" "Arnica" videos - a 2-fer

I've been beavering away on my fictional writing project, where I basically teach myself to write fiction AS I DO IT. It's a real-time learning experience and a longtime one as well. MEANWHILE, the She Mob videos are a side project that help keep me sane while promoting music in a fun, nonprofit (but oh-so-satisfying) way. I am completely sincere. Putting little films together is the best hobby ever, especially when it's your own musical endeavors.

Today's a 2-fer. Shall we go from older to newer? Why not! Here's Tear Me Down from She Mob's sophomore effort, "Turn to Chocolate." It's great to have been in a band long enough and somewhat together enough to actually have a sophomore effort. It's such a indie-rock trope and although it's a pretentious and ridiculous term for "second album," I'm going to indulge myself: SOPHOMORE EFFORT. That's a description that's probably been retired longer than I realize.

Friend and bandmate Joy was once talking to me about this one, years after the fact (it came out in 2001, that magical year), and her general consensus was, (paraphrase) "I dunno—there's all these extra ingredients, like horns, keyboards, guest musicians, and I listen to it now and I think—what was I thinking?"

But here's my take on it—this album is just fine and all the extras give it some oomph. If our first album, "Cancel the Wedding," tipped its hat to sloppy punk, "Turn to Chocolate" gave a mostly unconscious and accidental nod to melodic new wave. There's strong material throughout and a wide range of genre-play. Everything from big-pharma sing-alongs (Viagra), to mental-illness death metal (Munchausen Syndrome by Proxy), to dot-com bubble lament, Tear Me Down. I apologize for writing a record review of my own record—how gauche. But I'm fifty now and I don't give a shit. I do what I want, when I want. That's the age-fifty-and-up way.

Tear Me Down, composed and sung by Diane Wallis during San Francisco's first dot-com boom-and-bust in the late 90s, is prescient all over again fifteen years later. Evictions, tear-downs, and ship-loads of money—that's a legacy for San Francisco. The online technology angle just hurried the phenomena along a little faster than usual. For now, San Francisco friends are going through shady rent hikes and underhanded evictions so millionaires can move in and enjoy fine dining experiences. It's not the bohemian enclave you remember, but let's enjoy The City's eternal beauty in the CinemaScope footage shot by Tullio Pelligrini (great inventor name) in 1955. I did no editing for this, simply placed the music at the top of the film. It didn't need any editing.





Onward to Arnica from the new album, "Right in the Head" (our album titles are directives because we're kind of bossy). This is a Joy Hutchinson composition, an ode to medicinal plants, with Alan Korn and Suki O'Kane doing their thangs. This song is especially special because Alan sings a lovely falsetto background chorus—a wonder to behold. Footage is from A/V Geeks and the Prelinger Archives—my found footage godsends.



Apologies for the, uh, looseness of my writing for this post. We're all working under a severe sleep deficit here due to a family illness that will hopefully get better with the help of big-pharma antibiotics. When there's walking pneumonia to contend with, big-pharma is usually the answer. Cheers.

Friday, March 06, 2015

She Mob - "Teacher" (1999)

Punk as hell—because teaching in our public-school system is about as punk rock as you can get in the work force. Low pay, little prestige, exhausting, often thankless, and yet educating the populace should be revered and appreciated by all. I think I'll bring some muffins to my kid's school on Monday. This is Diane telling it like it is. From She Mob's first album, "Cancel the Wedding."

Monday, March 02, 2015

Celebrity Gossip Roundup

I won't mince words as if they were cloves of garlic on a chopping block—our numbers are lagging here at Captive Wild Woman Blogspot Dot Com. There's a downshift and a tide-turning of eyeballs-to-pages according to Google Analytics. Rather than lament the days of Internet yore, before advertising and slideshow click-bait flooded the Internet wilds with crappiness and suckage, we here at CWW Central are embracing the problem. And as usual, the solution is obvious: celebrity gossip.

Who can resist a roundup of celebrity gossip? Not I and certainly not you, coveted readers. The celebrity is a magnet to us regular-folk, a stand-in for our hopes, dreams, and nightmares. The popular kids—what are they up to? I'm glad you asked.


Harry Styles Looks Sad

Doesn't he though? I wonder what's going on.


There's just this overall cast of ennui on display. He could be tired—touring will do that. Or hungover and dehydrated. Or depressed, or experiencing low endorphin-release from lack of tattoos that day. All I know is Harry Styles is a mystery wrapped in an enigma. And his pants are so tight—that's gotta hurt.


Lindsay Lohan Just Keeps On Keeping On

Everybody's got an opinion when it comes to Lindsay Lohan. The fact is, she's still chugging away and you're reading about her (again) on the Internet, so who's the winner in this scenario? 


That's right: Lindsay. No matter how many times she drives over someone's foot, is arrested, is put on probation (again), is given community service, or is laid off from a reality show and chewed out by Oprah, she just keeps on keeping on. She even gets to live and work in London, And where are you, and where are you working? Odds are, not in London. So always remember: Lindsay wins. Every time. In every way. We're not the winners. She is.


Nobody Said Anything Too Stupid on the Internet Today

Nobody then gave a lame apology and nobody got that angry about any one specific unfortunate incident. It was a good day on the Internet, overall.



North West Could Give Two Rips

North West is not yet two but is already being proclaimed a fashion icon by the press. And here's what you need to know: North West could give two rips. She's a baby and babies care about few things. Some of which involve clean diapers, adequate food, cuddles and emotional bonding in general, and maybe a special blankie or nightlight for bedtime.


Babies don't give two rips about materialism, craven attention-mongering and our stupid obsessions with status and merchandising. That's because babies are pure little people with open hearts and ready minds, ready to fully engage in the world around them. I have to go retch in a corner now. Excuse me.



This Mourning Dove's An Asshole


Every morning at 5 AM, this (facsimile of a) mourning dove sits on the roof below my bedroom window and calls to its mate. I know it's driven by pure instinct and the will to survive—I appreciate that. But this shit's getting old. Every fucking morning with the cooing. I'm an insomniac, so you see where I'm coming. Sure my kind—the humans—have encroached on local wildlife habitat for centuries now. I get it. With all the pollution we spew into the ozone with our stinking traffic jams and noise from sirens, horns, engines, leaf blowers, lawn mowers, and obnoxious, banal chit-chat, not to mention all the trees we've chopped down to make way for "progress," we're probably a thousand times more of an asshole than this innocent creature of nature. Still, this bird doesn't let up for quite some time and either its mate is deaf or he's just being an asshole. I'm calling it.